中国书法家介绍英语怎么说
Ⅰ 中国书法的介绍(中英文对照）
中国书法 chinese Calligraphy
书法家 calligrapher
文房四宝 4 treasures of chinese calligraphy
笔 writing brush
墨 ink stick
纸 paper
砚 ink stone
对联 couplet
匾 tablet
楷书 regular
草书 cursive
隶书 official
篆书 seal
行书 running
印章回 seal
篆刻 seal engraving
点 dot stroke
横答 horizontal stroke
竖 vertical stroke
撇 left-falling stroke
捺 right-falling stroke
折 turning stroke
勾 hook stroke
提 rising stroke
Ⅱ 用英语介绍中国书法，20词到30词的，急急急
The art of calligraphy is widely practiced and revered in the East Asian civilizations that use Chinese characters. These include China, Japan, Korea, and formerly Vietnam[1].In addition to being an artform in its own right, calligraphy has also influenced ink and wash painting, which is accomplished using similar tools and techniques. The East Asian tradition of calligraphy originated and developed from China, specifically the ink and brush writing of Chinese characters.
Ⅲ 求中国书法英文介绍!英语高手进!!!
Easier - Calligraphy is the art of making beautiful or elegant handwriting. It is a fine art of skilled penmanship.
Harder - The word calligraphy literally means beautiful writing. Before the invention of the printing press some 500 years ago, it was the way books were made. Each was handwritten out by a scribe working in a scriptorium. The hand writing was done with quill and ink onto materials like vellum or parchment. The lettering style applied was one of the period bookhands like rustic, carolingian, blackletter, etc.
Today, there are three main types or styles of calligraphy: (1) Western or Roman, (2) Arabic, and (3) Chinese or Oriental. This project focuses mainly on Western calligraphy with a glimpse at the other two styles.
Ⅳ 谁有关于中国书法的英文介绍
1、英文
Chinese calligraphy is an ancient writing art of Chinese characters. From oracle bone inscriptions.
stone drum inscriptions and bronze inscriptions (Zhong Dingwen) to large seal inscriptions, small seal inscriptions and official scripts, to cursive scripts.
regular scripts and running scripts of the Eastern Han, Wei and Jin Dynasties, Chinese calligraphy has been exuding artistic charm.
Calligraphy is a unique traditional art in China. Chinese characters were created by the working people. They began to record things by pictures.
After thousands of years of development, they have evolved into today's characters. Because their ancestors invented writing with brushes, they have proced calligraphy.
From ancient times to modern times, brush writing has been the main way to write Chinese characters. As for other writing forms, such as hard pen, finger book, etc.
their writing rules are not quite different from brush writing, but basically similar.
Calligraphy refers to the writing style, structure and constitution according to the characteristics and meanings of the characters, making it an aesthetic work of art.
2、中文
中国书法是一门古老的汉字的书写艺术，从甲骨文、石鼓文、金文（钟鼎文）演变而为大篆、小篆、隶书，至定型于东汉、魏、晋的草书、楷书、行书等，书法一直散发着艺术的魅力。
书法是中国特有的一种传统艺术。中国汉字是劳动人民创造的，开始以图画记事，经过几千年的发展，演变成了当今的文字，又因祖先发明了用毛笔书写，便产生了书法。
古往今来，均以毛笔书写汉字为主，至于其他书写形式，如硬笔、指书等，其书写规律与毛笔字相比，并非迥然不同，而是基本相通。
书法是指按照文字特点及其含义，以其书体笔法、结构和章法书写，使之成为富有美感的艺术作品。
(4)中国书法家介绍英语怎么说扩展阅读：
中国的历史文明是一个历时性、线性的过程，中国的书法艺术在这样大的时代背景下展示着自身的发展面貌。
在书法的萌芽时期（殷商至汉末三国），文字经历由甲骨文、古文（金文）、大篆（籀文）、小篆、隶（八分）、草书、行书、真书等阶段，依次演进。
在书法的明朗时期（晋南北朝至隋唐），书法艺术进入了新的境界。由篆隶趋从于简易的草行和真书，它们成为该时期的主流风格。
大书法家王羲之的出现使书法艺术大放异彩，他的艺术成就传至唐朝倍受推崇。同时，唐代一群书法家蜂拥而起，如：虞世南、欧阳询、楮遂良、颜真卿、柳公权等大名家。
在书法造诣上各有千秋、风格多样。经历宋、元、明、清，中国书法成为一个民族符号，代表了中国文化博大精深和民族文化的永恒魅力。
参考资料来源：网络——中国书法
Ⅳ 用英语介绍中国书法
The art of calligraphy is widely practiced and revered in the East Asian civilizations that use Chinese characters. These include China, Japan, Korea, and formerly Vietnam[1].In addition to being an artform in its own right, calligraphy has also influenced ink and wash painting, which is accomplished using similar tools and techniques. The East Asian tradition of calligraphy originated and developed from China, specifically the ink and brush writing of Chinese characters. There is a general standardization of the various styles of calligraphy in the East Asian tradition. Calligraphy has also led to the development of many other forms of art in East Asia, including seal carving, ornate paperweights, and inkstones.
[edit] Tools
The paper, ink, brush, and inkstone are essential implements of East Asian calligraphy: they are known together as the Four Treasures of the Study (T: 文房四宝 / S: 文房四宝) in China, and as the Four Friends of the Study (HG: 문방사우 / HJ: 文房四友) in Korea. In addition to these four tools, desk pads and paperweights are also used by calligraphers.
[edit] Paper
Special types of paper are used in East Asian calligraphy.
In China, Xuan, traditionally made in Anhui province, is the preferred type of paper. It is made from the Tartar wingceltis (Pteroceltis tartarianovii), as well as other materials including rice, the paper mulberry (Broussonetia papyrifera), bamboo, hemp, etc.
In Japan, Washi is made from the kozo (paper mulberry), ganpi (Wikstroemia sikokiana), and mitsumata (Edgeworthia papyrifera), as well as other materials like bamboo, hemp, rice, and wheat. somtimes the brush is used to put ink on a pen
[edit] Ink
The ink is made from lampblack (soot) and binders, and comes in sticks which must be rubbed with water on an inkstone until the right consistency is achieved. Much cheaper, pre-mixed bottled inks are now available, but these are used primarily for practice as stick inks are considered higher quality and chemical inks are more prone to bleeding over time, making them less suitable for use in hanging scrolls. Learning to rub the ink is an essential part of calligraphy study. Traditionally, East Asian calligraphy is written only in black ink, but modern calligraphers sometimes use other colours. Calligraphy teachers use a bright orange ink with which they write practice characters for students and correct students' work.
[edit] Brush
The brush is the traditional writing implement in East Asian calligraphy. The body of the brush can be made from either bamboo, or rarer materials like red sandalwood, glass, ivory, silver, and gold. The head of the brush can be made from the hair (or feather) of a wide variety of animals, including the wolf, rabbit, deer, chicken, ck, goat, pig, tiger, etc. There is also a tradition in both China and Japan of making a brush using the hair of a newborn, as a once-in-a-lifetime souvenir for the child. This practice is associated with the legend of an ancient Chinese scholar who scored first in the Imperial examinations by using such a personalized brush.
Today, calligraphy may also be done using a pen, but pen calligraphy does not enjoy the same prestige as traditional brush calligraphy.
[edit] Inkstone
A stone or ceramic inkstone is used to rub the solid ink stick into liquid ink and to contain the ink once it is liquid. Cheaper inkstones are made of plastic.
Inkstones are often carved, so they are collectible works of art on their own.
[edit] Paperweight
Paperweights come in several types: some are oblong wooden blocks carved with calligraphic or pictorial designs; others are essentially small sculptures of people or animals. Like inkstones, paperweights are collectible works of art on their own right.
[edit] Desk pad
The desk pad (Chinese T: 画毡, S: 画毡, Pinyin: huàzhān; Japanese: 下敷 shitajiki) is a pad made of felt. Some are printed with grids on both sides, so that when it is placed under the translucent paper, it can be used as a guide to ensure correct placement and size of characters. These printed pads are used only by students. Both desk pads and the printed grids come in a variety of sizes.
[edit] Seal
Main article: Chinese seal
Works of calligraphy are usually completed by the artist putting his or her seal at the very end, in red ink. The seal serves the function of a signature.
[edit] Study
The Chinese method of holding the brushHow the brush is held depends on which calligraphic genre is practiced. For Chinese calligraphy, the method of holding the brush is more special; the brush is held vertically straight gripped between the thumb and middle finger. The index finger lightly touches the upper part of the shaft of the brush (stabilizing it) while the ring and little fingers tuck under the bottom of the shaft. The palm is hollow and you should be able to hold an egg in there. This method, although difficult to hold correctly for the beginner, allows greater freedom of movement, control and execution of strokes. For Japanese calligraphy, the brush is held in the right hand between the thumb and the index finger, very much like a Western pen.
A paperweight is placed at the top of all but the largest pages to prevent slipping; for smaller pieces the left hand is also placed at the bottom of the page for support.
In China, there are many people who practice calligraphy in public places such as parks and sidewalks, using water as their ink and the ground as their paper. Very large brushes are required. Although such calligraphic works are temporary (as the water will eventually dry), they serve the al purpose of both being an informal public display of one's work, and an opportunity to further practice one's calligraphy.
In Japan, smaller pieces of Japanese calligraphy are traditionally written seated in the traditional Japanese way (seiza), on the knees with the buttocks resting on the heels. In modern times, however, practitioners frequently practice calligraphy seated on a chair at a table. Larger pieces may be written while standing; in this case the paper is usually placed directly on the floor, but some calligraphers use an easel.
A man practicing calligraphy in Beihai Park, BeijingCalligraphy takes many years of dedicated practice. Correct stroke order, proper balance and rhythm of characters are essential in calligraphy. Skilled handling of the brush proces a pleasing balance of characters on the paper, thick and thin lines, and heavy and light inking. In most cases, a calligrapher will practice writing the Chinese character yong (永) many, many times in order to perfect the eight basic essential strokes contained within the character. Those who can correctly write the yong character beautifully can potentially write all characters with beauty.
Basic calligraphy instruction is part of the regular school curriculum in both China and Japan.
[edit] Noted calligraphers
Nearly all traditionally ecated men (and sometimes women) in East Asia are proficient in calligraphy. The most famous are:
Ⅵ 中国书法英文介绍
fds
Ⅶ 书法家英语怎么说
楷书◆◆◆◆◆◆ →练心境 →练字型结构。刚开始学习楷书，大家看来挺难的，特别是一些笔画的练习，对笔画，我个人的观点是对初学者来说，尽量练习比较复杂的，因为一个笔画较小的话在一个字中的占的分量是不重的，就像 点 一样，不要刻意去花很多时间去写，因为一个 点 在一个字中是很不起眼的（当然能写好是最好的）。我们练楷书也就是为了把字形结构给处理好，另外吸收一些书法元素，如，章法，字的虚实处理。练楷书颜真卿的，或是柳公权的字帖，慢慢研究，临帖、读帖、背帖…循环下去，坚持几个星期书法肯定有较大的提高。当然兴趣最重要，要是有兴趣去做一件事，其效果是事半功倍的！ 字形结构问题，我想只要把书本上的字放大，放大！想象下这个字的结构是怎样的，要怎样来“装字”使其比例会更好，更美观，什么都需要一定比例才能得当的，如人的身材，数学还有黄金分割呢！（还有可以在word软件中把字放大，同时也可以选择书体，如隶书，行书等等）字体结构分左中右结构、左右、上下、上中下等等。书上的大多都是正楷字，也属于楷书的一种，要学会把印刷体（纸上）的字结构把握准。多看了就会，写字也是一种熟能生巧的技术，没什么太多的奥妙在里面，不要想得那么复杂。 据我发现，有某种结构的字是比较好把握的，就是说有左中右，上下等这类字，相反，越是简单的字（大多是没有部首的字）越难把握其字形的构造，或是说难写好，比如“大”“小”“成”等等。好把握的如“做”“黄”“燕”以及很多的左右结构的字。还有点可以说明的就是，书法家大都喜欢用繁体字替代简体来做书（结构把握较好）。 初学者练毛笔字，要用狼嚎笔，就是毛是金黄色的毛笔，中等大小最好。（狼嚎较硬点，我们写惯了硬笔）练字要练大字开始，大字的结构更好把握，而且写的时候通过自我暗示可以控制好笔速，要是一开始就写小字，你肯定会按照你以往的方式一直糊里糊涂的写下去。而且草草了事，达不到效果！ 我觉得一个出色的书法家不是说他从小就有书法的天赋，而是说他从一开始接触练字就以正确的方式去练习。万事开头难，要是一个人一开始练字就以正确的方式练它几十年，我想他肯定会是一个大书法家。从这点也得告诫你，现在开始练字还不是晚的，把以前的错误习惯改了，从另一个角度出发练字。有人说，那我要写到二十多年才能达到跟我一样的水平，错了，现在你的领悟能力已经不是小时候的你，相信几年的时间你就可以达到我的水平！不信你就试！ 练字达到一定程度后，要开始抓自己比较不会写的典型的字去研究，比如说你对“书”字把握不好，那你就得去请教别人，或是自己通过网络、图书等资料去发现，然后临摹下来背下来，下次就会写了。这个过程是一个漫长的持续的过程，是一辈子的事情！只要对字还感兴趣，这点是你一辈子都需做的！ ----这是我写给别人的！唉~~给你看看吧
Ⅷ 中国书法用英语怎么说
中国书法用英语
Chinese Calligraphy
Ⅸ 请问书法家用英语怎么说
calligrapher
n.
书法家
calligraphist书法家
chirographer
n.
书法家
penman
n.
书法家