古典音乐的介绍用英语怎么说

❶ 谁能告诉我一些有关于中国古典音乐的英文介绍啊~~

这种民族乐器的英语就用汉语拼音，然后加些注释

琵琶 The pipa - is a plucked Chinese string instrument. Sometimes called the Chinese lute, the instrument has a pear-shaped wooden body. It has been played for nearly two thousand years of history in China, and belongs to the plucked category of instruments

古筝 guzheng - is a traditional Chinese musical instrument. It belongs to the zither family of string instruments.

扬琴 yangqin - is a Chinese hammered lcimer originally from Persia (modern-day Iran). It used to be written with the characters

长笛就是 Flute

名曲也一样

gao shan liu shui高山流水 meaning high mountains and flowing waters

Shi mian Mai fu十面埋伏 meaning ambush from ten direction

Er quan ying yue二泉映月 meaning the second moon-reflecting spring

中国古典音乐一些英语资料

Chinese classical music is the traditional art or court music of China. It has a long history stretching for more than three thousand years. It has its own unique systems of musical notation, as well as musical tuning and pitch, musical instruments and styles or musical genres.

Chinese music is pentatonic-diatonic, having a scale of twelve notes to an octave (5+7 = 12) as does European-influenced music.
Music of China appears to date back to the dawn of Chinese civilization, and documents and artifacts provide evidence of a well-developed musical culture as early as the Zhou Dynasty (1122 BC - 256 BC).

According to Mencius, a ruler had asked Mencius whether it was moral if he preferred pop songs to the classics. The answer was that the only thing matters being whether or not he loved his subjects.

The Imperial Music Bureau, first established in the Qin Dynasty (221-207 BC), was greatly expanded under the Emperor Han Wu Di (140-87 BC) and charged with supervising court music and military music and determining what folk music would be officially recognized. In subsequent dynasties, the development of Chinese music was strongly influenced by foreign music, especially that of Central Asia.

Traditional orchestral instruments

* Woodwind and percussion
o dizi, sheng, paigu, gong, paixiao, guan, bells, cymbals
* Bowed strings
o erhu, zhonghu, dahu, banhu, jinghu, gaohu, gehu, yehu, cizhonghu, diyingehu, leiqin
* Plucked and struck strings
o guqin, sanxian, yangqin, zheng, ruan, konghou, liuqin, pipa, zhu

Chinese vocal music has traditionally been sung in a thin, nonresonant voice or in falsetto and is usually solo rather than choral. All traditional Chinese music is melodic rather than harmonic. Chinese vocal music probably developed from sung poems and verses with music.

Instrumental music

Instrumental pieces played on an erhu or dizi are popular, and are often available outside of China, but qin, pipa and zheng music, which are more traditional, are more popular in China itself. The qin is perhaps the national instrument of China, and its virtuosos are stars. These include Zha Fuxi, Wu Wen'guang, Lin Youren, Wu Jinglue, Wu Zhaoji, Guan Pinghu, Zhang Zijian, Li Xiangting and Gong Yi. The zheng, a form of zither, is most popular in Henan, Chaozhou, Hakka and Shandong. The pipa, a kind of lute, believed to have been introced from the Arabian Peninsula area ring the 6th century and improved, is most popular in Shanghai and surrounding areas.

Opera

Chinese opera has been hugely popular for centuries, especially Beijing opera. The music is often guttural with high-pitched vocals, usually accompanied by suona, jinghu, other kinds of string instruments, and percussion. Other types of opera include clapper opera, Pingju, Cantonese opera, puppet opera, Kunqu, Sichuan opera, Qinqiang, ritual masked opera and Huangmei xi.

❷ 介绍古典音乐的英语文章

Classical music is a broad term that usually refers to mainstream music proced in, or rooted in the traditions of Western liturgical and secular music, encompassing a broad period from roughly the 9th century to present times.[1] The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice period.<br> <br>European music is largely distinguished from many other non-European and popular musical forms by its system of staff notation, in use since about the 16th century.[2] Western staff notation is used by composers to prescribe to the performer the pitch, speed, meter, indivial rhythms and exact execution of a piece of music. This leaves less room for practices, such as improvisation and ad libitum ornamentation, that are frequently heard in non-European art music (compare Indian classical music and Japanese traditional music) and popular music.[3][4][5]<br> <br>The public taste for and appreciation of formal music of this type waned in the late 1900s in the United States and United Kingdom in particular.[6] Certainly this period has seen classical music falling well behind the immense commercial success of popular music, in the opinion of some[who?], although the number of CDs sold is not indicative of the popularity of classical music.[7]<br> <br>The term "classical music" did not appear until the early 19th century, in an attempt to "canonize" the period from Johann Sebastian Bach to Beethoven as a golden age.[8] The earliest reference to "classical music" recorded by the Oxford English Dictionary is from about 1836.[9][10] Many writers feel that "classical" is an inappropriate term for mainstream and avant-garde music written since the latter part of the 19th century; hence the common usage of scare quotes.[11]

❸ 我要一篇纯英文的古典音乐介绍+翻译

英文版在此：
Introction to Classical Music
Classical music is probably more familiar than we might at first imagine. Indeed, nowadays it is all around us, whether it be in restaurants, supermarkets, lifts, for advertising or as theme and incidental music on television. A great deal of film music either directly uses or draws from the 'classical' tradition; a good example of the former might be '2001: Space Odyssey', and of the latter, the many scores John Williams has composed in recent years for such blockbusters as the Star Wars and Indiana Jones trilogies.

In the vast and wide-ranging world of 'classical' music there is truly something there for everyone - pieces which once discovered represent the start of an exciting and irresistible journey which will provide a lifetime's listening pleasure. For example, those who are particularly excited by hearing instrumentalists working at full stretch will thrill to the likes of Liszt and Paganini, or if something a little more reserved and self-contained is required, the chamber music of Haydn or Mozart would be a good starting point. If a full symphony orchestra in overdrive is more to your taste then Tchaikovsky or Richard Strauss could well fit the bill, whereas those who have already warmed to Vivaldi's 'Four Seasons' might well try the music of some of the great Italian's contemporaries such as Handel, Johann Sebastian Bach or Domenico Scarlatti. Whatever your tastes may be, there has never been a better time to start building a 'classical' music collection on CD.

Any attempt to define what is meant literally by the term 'classical' music is fraught with difficulty. How does one encapsulate in just a few words a musical tradition which encompasses such infinite varieties of style and expression, from the monastic intonings of Gregorian chant to the laid-back jazz inflections of Gershwin's Rhapsody in Blue, from the elegant poise of Mozart's Eine kleine Nachtmusik to the despairing, heightened emotionalism of Tchaikovsky's "Pathetique" Symphony? One is treading on very dangerous ground indeed if one pre-supposes that it is simply 'superior' to other musical types such as popular, jazz, rock and the like, let alone the music of other cultures.

In general 'popular' music may be as clear in expression as the longer examples of 'classical' music. One important difference, however, lies in the logical connection that exists in 'classical ' music between the beginning and end, with the latter a logical extension and development of the former. 'Popular' music, on the other hand, tends to present its material without development, the music ending when interest is exhausted.

Sadly, whilst 'classical' music is socially undivisive in itself, it has unfortunately become associated in most people's minds with the intellectual elite. Even now, and with certain honourable exceptions, the attending of a 'live' concert can be an intimidating (not to say costly) experience for the uninitiated, especially in that most jealously guarded of establishments, the opera house. The wonderful thing about the technological age in which we live, and particularly the advent of the compact disc, is that we can bypass all irrelevant social and intellectual pretence, and enjoy in the comfort of our own home (often at far less cost) some of the finest music ever composed.

With such a breathtaking variety of material available, it is an awesome task to know just where to begin your disc collection, and as a result expensive mistakes are often made as tempting looking purchases turn out to be something of a disappointment. This is where the Naxos catalogue really comes into its own, and where it is hoped this guide will help prospective purchasers to make an informed choice about the kind of music they are likely to enjoy.

The Naxos label provides a library of high quality performances of music by the great masters in modern digital sound; accompanied by authoritative and user-friendly booklet notes and at the lowest possible price. There are already nearly 600 titles from which to choose, and with new releases emerging at the rate of about eight every month, even the enthusiastic collector is well and truly catered for. With every historical period and genre covered, there is something in the Naxos catalogue for everyone, especially those who wish to build a truly representative collection of the central masterworks in the 'classical' tradition.

❹ 古典音乐的英语怎么说

classical music

❺ 有没有古典音乐的英文介绍/解说。。。。。

你要古典音乐概念的介绍还是？

各个古典音乐时期的介绍？

还是每个曲子或作曲人的介绍？

❻ 古典音乐英语介绍，上课要读的，要超过一分钟，但不要太长，急

Introction to Classical Music
Classical music is probably more familiar than we might at first imagine. Indeed, nowadays it is all around us, whether it be in restaurants, supermarkets, lifts, for advertising or as theme and incidental music on television. A great deal of film music either directly uses or draws from the 'classical' tradition; a good example of the former might be '2001: Space Odyssey', and of the latter, the many scores John Williams has composed in recent years for such blockbusters as the Star Wars and Indiana Jones trilogies.
In the vast and wide-ranging world of 'classical' music there is truly something there for everyone - pieces which once discovered represent the start of an exciting and irresistible journey which will provide a lifetime's listening pleasure. For example, those who are particularly excited by hearing instrumentalists working at full stretch will thrill to the likes of Liszt and Paganini, or if something a little more reserved and self-contained is required, the chamber music of Haydn or Mozart would be a good starting point. If a full symphony orchestra in overdrive is more to your taste then Tchaikovsky or Richard Strauss could well fit the bill, whereas those who have already warmed to Vivaldi's 'Four Seasons' might well try the music of some of the great Italian's contemporaries such as Handel, Johann Sebastian Bach or Domenico Scarlatti. Whatever your tastes may be, there has never been a better time to start building a 'classical' music collection on CD.
Any attempt to define what is meant literally by the term 'classical' music is fraught with difficulty. How does one encapsulate in just a few words a musical tradition which encompasses such infinite varieties of style and expression, from the monastic intonings of Gregorian chant to the laid-back jazz inflections of Gershwin's Rhapsody in Blue, from the elegant poise of Mozart's Eine kleine Nachtmusik to the despairing, heightened emotionalism of Tchaikovsky's "Pathetique" Symphony? One is treading on very dangerous ground indeed if one pre-supposes that it is simply 'superior' to other musical types such as popular, jazz, rock and the like, let alone the music of other cultures.
In general 'popular' music may be as clear in expression as the longer examples of 'classical' music. One important difference, however, lies in the logical connection that exists in 'classical ' music between the beginning and end, with the latter a logical extension and development of the former. 'Popular' music, on the other hand, tends to present its material without development, the music ending when interest is exhausted.
Sadly, whilst 'classical' music is socially undivisive in itself, it has unfortunately become associated in most people's minds with the intellectual elite. Even now, and with certain honourable exceptions, the attending of a 'live' concert can be an intimidating (not to say costly) experience for the uninitiated, especially in that most jealously guarded of establishments, the opera house. The wonderful thing about the technological age in which we live, and particularly the advent of the compact disc, is that we can bypass all irrelevant social and intellectual pretence, and enjoy in the comfort of our own home (often at far less cost) some of the finest music ever composed.
With such a breathtaking variety of material available, it is an awesome task to know just where to begin your disc collection, and as a result expensive mistakes are often made as tempting looking purchases turn out to be something of a disappointment. This is where the Naxos catalogue really comes into its own, and where it is hoped this guide will help prospective purchasers to make an informed choice about the kind of music they are likely to enjoy.
The Naxos label provides a library of high quality performances of music by the great masters in modern digital sound; accompanied by authoritative and user-friendly booklet notes and at the lowest possible price. There are already nearly 600 titles from which to choose, and with new releases emerging at the rate of about eight every month, even the enthusiastic collector is well and truly catered for. With every historical period and genre covered, there is something in the Naxos catalogue for everyone, especially those who wish to build a truly representative collection of the central masterworks in the 'classical' tradition.

❼ 怎样用英语描述中国古典音乐

中国没有古典音乐啊，请明确古典音乐的定义

❽ 古典音乐用英语怎么说

古典音乐总英语怎么说？

Classic music

❾ 有关介绍中国传统音乐的英语作文

Today what I wanna introce is Chinese Tradictional Music . Chinese Tradictional Music dates back to the dawn of Chinese civilization with documents and artifacts providing evidence of a well-developed musical culture as early as the Zhou Dynasty.
Chinese Tradictional Music always has various instruments, they are traditionally divided into categories based on their material of composition: metal, stone, silk, wood, animal skin, bambooand so on.
The most vatal part of the music should be the imperial music, firstly established in the Qin Dynasty, was greatly expanded under the Emperor Han Wu and charged with supervising court music and military music and determing what folk music would be officially recognized.
It seems that collecting folk music is a hobby to every emperor, almost them took it seriously, sending officers to collect songs to inspect the popular will. One of the Confucianist classics, the Class Of Potry , contained many folk ongs dating from 800BC to 400BC. In ancient China , the position of musicans was much lower than that of many classes, though music was seen as central to the harmony and longevity of the state.
Fortunately, nowdays, both the Chinese Tradictional Music and musicians have a new lease of life.
满意请采纳，谢谢~

❿ 音乐种类英文介绍及中文翻译

1，摇滚

Rock and roll is a music genre that originated in the United States in the late 1940s.

（摇滚是一种音乐类型，起源于20世纪40年代末期的美国。）

It became popular in the early 1950s and quickly spread around the world.

（20世纪50年代早期开始流行，迅速风靡全球。）

Rock and roll with its flexible bold expression form and full of passion music rhythm to express emotion.

（摇滚乐以其灵活大胆的表现形式和富有激情的音乐节奏表达情感。）

Popular with most people around the world, it became a craze in the 1960s and 1970s.

（受到了全世界大多数人的喜爱，并在1960年和1970年形成一股热潮。）

2，流行音乐

Popular Music is translated from English Popular Music.

（流行音乐是根据英语Popular Music翻译过来的。）

Popular music accurate concept should be commodity music, refers to the main purpose of profit for the creation of music.

（流行音乐准确的概念应为商品音乐，是指以盈利为主要目的而创作的音乐。）

It is a commercial music pastime and all the "instrial" phenomena associated with it.

（它是商业性的音乐消遣娱乐以及与此相关的一切“工业”现象。）

3，民谣

Folk songs that are popular and give national color are called folk songs or ballads.

（民间流行的、赋予民族色彩的歌曲，称为民谣或民歌。）

Folk music has a long history, so its author is unknown.

（民谣的历史悠远，故其作者多不知名。）

4，重金属

Music, a heavy metal, was originally considered by some to be a "hard rock" evolution.

（重金属音乐最早是被一些民众认为是“硬摇滚”演变过来的。）

In fact, hard rock and heavy metal are usually not easy to distinguish, and different people have different ways of distinguishing them.

（其实硬摇滚与重金属通常不太容易区分，不同的人有不同的区分方法。）

Some people think hard rock is called before the 70s and heavy metal is called after the 70s.

（有人认为70年代以前的叫硬摇滚，70年代以后的叫重金属。）

And most people think they are not of the same species through the perspective of history.

（又有大多数人通过历史的角度认为他们不属于同一种类。）

5，古典音乐

Classical BBB 0 can be divided into broad sense and narrow sense.

（古典音乐有广义、狭义之分。）

Broadly, it refers to those from the middle ages to the present.

（广义是指那些从西方中世纪开始至今的。）

Western classical works created under the background of European mainstream culture.

（在欧洲主流文化背景下创作的西方古典音乐。）

It is different from popular music and folk music mainly because of its complex and varied creative techniques and the heavy connotation it can carry.

（主要因其复杂多样的创作技术和所能承载的厚重内涵而有别于通俗音乐和民间音乐。）