瓷器介紹英語怎麼說
Ⅰ 景德鎮瓷器英文介紹
Jingdezhen porcelain is famous for its white porcelain.
（景德鎮瓷器以白瓷為聞名。）
Known as "white as jade, bright as mirror, thin as paper, sound like qing" said.
（素有「白如玉，明如鏡，薄如紙，聲如磬」之稱。）
The variety is complete, once reached more than 3000 kinds of name.
（品種齊全，曾達三千多種品名。）
Excellent porcelain, lightweight modeling, decorative diversity.
（瓷質優良，造型輕巧，裝飾多樣。）
In the decoration of blue and white, glaze red, ancient color, pastel, bucket color, new color and so on.
（在裝飾方面有青花、釉里紅、古彩、粉彩、鬥彩、新彩等。）
Among them especially to blue and white, powder color procts for the bulk, color glaze for famous proction.
（其中尤以青花、粉彩產品為大宗，顏色釉為名產。）
There are many varieties of glaze, such as green, blue, red, yellow, black and so on.
（釉色品種很多，有青、藍、紅、黃、黑等類。）
Only red glaze system, that is, jun red, lang kiln red, ji red and rose purple, etc.
（僅紅釉系統，即有鈞紅、郎窯紅、霽紅和玫瑰紫等。）
The procts are well known in the world and are one of the outstanding representatives of ancient ceramic art.
（均用"還原焰"燒成，產品馳名世界， 是稱譽世界的古代陶瓷藝術傑出代表之一。）
(1)瓷器介紹英語怎麼說擴展閱讀
景德鎮瓷器品質特性：景德鎮瓷器自古以來，名揚天下。在琳琅滿目的瓷器中，最著名的有典雅素凈的青花瓷，明凈剔透的青花玲瓏瓷，五彩繽紛的顏色釉瓷。
幽靜雅緻的青花影青瓷，古樸清麗的古彩瓷，萬紫千紅的新彩瓷，明麗雋秀的窯彩瓷，別開生面的總和裝飾瓷等。這些珍貴的名瓷，被人們譽為「中華民族文化之精華」、「瓷國之瑰寶」。
Ⅱ 陶瓷的英文是怎麼拼
陶瓷的英文：porcelain
porcelain
英['pɔːs(ə)lɪn]美[ˈpɔrsələn]
n. 瓷；瓷器
adj. 瓷製的；精美的
例句：
1.Place them in a jam jar,porcelainbowl, or other similar container.
將它們裝入果醬罐、瓷碗或其他類似容器中。
2.There were lilies every-where in tall whiteporcelainvases.
高高的白色瓷瓶上繪滿了百合花。
3.Arlott squirrelled away books, pictures andporcelainplates.
阿洛特將書本、圖片和瓷盤瓷碟都藏起來。
(2)瓷器介紹英語怎麼說擴展閱讀
片語短語：
pottery and porcelain陶瓷；陶瓷器
blue and white porcelain青花瓷；青花瓷器
red porcelain紫砂
porcelain tile瓷磚
porcelain ware瓷器
porcelain clayn. 瓷土
porcelain enamel搪瓷；瓷釉
porcelain insulator瓷絕緣體，瓷隔電子
ancient porcelain古瓷
porcelain crucible瓷坩堝
glazed porcelain玻璃瓷
porcelain cup瓷杯，瓷盆；瓷盤絕緣子
porcelain dish瓷皿，瓷蒸發皿
household porcelain日用瓷
Ⅲ 陶瓷的英語用語
陶瓷專業術語
長石feldspar
瓷泥petunse, petuntse, petuntze
瓷漆enamel paint, enamel
封泥lute
高嶺土kaolin, china clay
硅石,二氧化硅silica, SiO2
堇青石cordierite
莫來石,紅柱石andalusite
泥果,坯體clay body 泥釉slip
石灰,生石灰,氧化鈣lime, calcium oxide, CaO
氧化錫tin oxide
釉glaze
原材料raw material
雲母mica
皂石,塊滑石steatite
dolomite：白雲土
terracotta:紅土
construction/building material :建白材料
陶瓷質地和類型 Qualities & Types of Pottery
White Body 白胎
碧玉細炻器 jasper
薄胎瓷 thin china / egg-shell porcelain
彩陶器,釉陶 faience
陳設瓷,擺設瓷 display china / ornamental porcelain
瓷 porcelain, china (China 『中國』來自』Chin』』秦』,在英文中』中國』和』瓷』同一單詞)
赤陶 terracotta, terracotta, red earthenware
代爾夫精陶 delft
德化陶瓷 Te-hua porcelain, Dehua pottery
高溫陶瓷 refractory china
低溫陶瓷low-fired porcelain
工業陶瓷 instrial ceramics
工藝瓷,美術瓷,藝術瓷 art porcelain, art and craft china, art pottery, artistic china
骨瓷 bone china
古瓷ancient porcelain
官瓷 mandarin porcelain
光瓷 lusterware
黑色陶器 basalt
裂變瓷 crackled porcelain
裂紋瓷 crazed china
米色陶器 creamware
青瓷 celadon
青花瓷 blue and white porcelain
輕質瓷、輕瓷 light china
日用瓷 household china, table ware
軟瓷 soft porcelain
殺菌陶瓷 antiseptic pottery
繩紋陶器 Rope figure pottery
施釉陶器 slipware
粗瓷 stoneware
素彩瓷 plain porcelain
陶 earthenware
陶瓷 pottery
無釉陶、陶瓷素燒坯 biscuit, unglazed ware
錫釉陶 majolica
細瓷 fine china
硬瓷 hard porcelain
赭色粘土陶器 terra sigillata
紫砂 purple granulated, purple sand, terra-cotta
長石瓷feldspar porcelain
瓷牙；牙科用瓷dental porcelain
瓷質紗網裝飾瓷器lace work porcelain
電瓷electrical porcelain
雕塑瓷；象牙色帕利安瓷statuary porcelain
高鋁瓷high-alumina porcelain
鋯質瓷zircon porcelain
滑石瓷 steatite porcelain
化學瓷chemical porcelain
尖晶石瓷spinel porcelain
堇青石瓷cordierite porcelain
鎂橄欖石瓷forsterite porcelain
鎂質瓷；氧化鎂瓷 magnesia porcelain
莫來石瓷mullite porcelain
耐熱瓷器refractory porcelain
縹瓷faint coloured porcelain
青白瓷greenish white porcelain
熔塊瓷fritted porcelain
三成分瓷器triaxial porcelain
鈦質瓷titania porcelain
天然原料製成的瓷器natural porcelain
透輝石瓷diapside porcelain
衛生瓷器sanitary porcelain
鴨蛋青瓷ck-egg porcelain
氧化鋁瓷alumina porcelain
原始瓷proto-porcelain
皂石瓷soapstone porcelain
中火度瓷intermediate porcelain
IC管瓷IC packages
白雲石瓷dolomitic
保溫耐火磚insulating firebrick
釉面
transparent:透明釉的
opaque: 不透明釉的
pigmented:色釉的
crackled:裂紋釉的
pearlized :珍珠釉的
Color Glaze 花釉
White Glaze 白釉
Red Glaze 紅釉
Pearl Glaze 珍珠釉
翡翠釉;翠綠釉Kingfisher blue glaze
分相釉phase separation glaze
粉青釉 lavender grey glaze
復合釉;混合鈾composite glaze
鈣釉.石灰釉calcareous glaze
蓋底釉cladding glaze
高硅質釉;硅酸質釉siliceous glaze
高溫釉hard glaze
瓜皮綠釉cucumber green glaze
光澤釉bright glaze
光澤釉 glossy glaze
孩兒臉(銅紅釉)crushed strawberry red
孩兒臉釉strawberry red glaze
海參釉trepang glaze
海棠紅釉begonia red glaze
虹彩釉luster glaze
弧坑釉crater glaze
虎斑釉tiger-skin glaze
琥珀釉amber glaze
花釉；復色釉fancy glaze
滑石釉talc glaze
灰釉ash glaze
揮發釉vapour glaze
火焰紅釉flamboyant red glaze
雞皮釉fowl-skin glaze
基礎釉parent glaze
祭紅altar red
祭紅釉sacrificial red glaze
祭藍altar blue
祭藍釉sacrificial blue glaze
薺紅釉shiny red glaze
蕎藍釉deep blue glaze
賈丁尼爾釉Jardiniere glaze
鹼石灰釉alkaline-calcareous
鹼釉alkaline glaze
豇豆紅釉cowpea red glaze
豇豆紅釉haricot red glaze
醬釉；棕釉brown glaze
結晶釉crystalline glaze
金絲黃釉gold filament yellow glaze
金星綠釉aventurine green glaze
金星釉；砂金釉aventurine glaze
金屬釉metallic glaze
桔皮釉orange-peel glaze
鈞釉chun glaze
可魯賓釉（紅藍混合釉）Columbine glaze
可帕爾塔釉（蓋面透明釉）coperta glaze
可溶性釉soluble glaze
孔雀藍釉peacock blue glaze
孔雀綠釉peacock green glaze
辣椒紅釉chilli red glaze
郎窯紅釉Lang yao red glaze
郎窯綠釉Lang yao green glaze
梨皮釉pear peel glaze
鋰輝石釉spomene glaze
流紋釉flowing glaze
龍皮釉dragon-skin glaze
卵青釉egg and spinach glaze
羅賓蛋殼釉（乳白青綠色）robin\\\'s-egg glaze
羅金厄姆釉（紫褐色鉛釉）Rockingham glaze
麻點釉sesame pot glaze
梅子青釉plum green glaze
美人醉釉beauty\\\'s flush glaze
米黃色釉；奶油色釉cream glaze
面釉cover glaze
墨地三彩tricolour with china-ink
南京黃釉（金黃-棕色）Nankin yellow glaze
泥漿釉；易熔粘土釉slip glaze
凝固釉（釉漿與明膠的混合物）solidified glaze
牛血紅釉ox-blood glaze
牛血紅釉 sang-de-boeuf (法語）
硼釉boracic glaze
葡萄紫釉grap purple glaze
鉛硼釉lead borate glaze
鉛釉lead glaze
茄皮紫釉aubergine glaze
青瓷釉celadon glaze
日本風格的鐵系花釉；天目釉的日本譯名tessha glaze
熔塊釉fritted glaze
乳白釉opaline glaze
乳光釉opalescence glaze
乳鼠皮釉mousie skin glaze
砂金釉；金星釉gold stone glaze
鯊皮釉（有皺紋特徵）[日本]shark-shin glaze
鱔皮綠釉green eel-skin glaze
鱔皮釉eel-skin glaze
鱔魚黃釉eel yellow
鱔魚青釉eel bluish green glaze
蛇皮綠釉 green snake-skin glaze
蛇皮釉 snake-skin glaze
生料釉raw glaze
生鉛釉raw lead glaze
失透釉devitrification glaze
石灰釉lime glaze
Crack Glaze 紋片釉
Color Glaze with gold 色釉金彩
工藝技術 Technology
凹雕 intaglio
標記 marking
玻璃化 vitrify
車削 turning
成型 forming
沖壓,沖壓花 repousse
瓷土加工 clay processing
雕刻 carving
浮雕 relief
隔焰窯 muffle
工藝技術 technology
硅氧鍵 silicon-oxygen bond
技藝 technique, craft
間斷窯 intermittent kiln
澆鑄 casting
拉毛 sgraffito
連續窯 continuous kiln
鏤雕、鏤空 piercing
轆轤車 jigger
泥釉彩飾法 trailing
碾磨 grinding
拋光 burnishing, polishing
破裂 chip
嵌入 inlay
切刻 incising
篩子 sieve
燒制 firing
陶瓷科技 ceramics
陶輪 potter』s wheel
貼花、嵌花 appliqué, decal
凸雕，底切，拉底，底部掏槽 undercut
細裂紋 craze
性能 property
壓印 impressing
窯 kiln
印花 stamping
釉上彩 overglazed color figure
釉下彩 underglazed color figure
預加工 pre-processing 粘性，粘滯性 viscosity, stiffness
轉模片 jiggered piece
轉印 transfer print
裝飾 décor, decoration
Cut edge切割邊緣
Scalloped扇形邊的
陶瓷成品
杯mug
Meat Plate, Round-edge 荷口湯盤
Soup Plate 湯盤
Tea cup 茶杯
Tea Saucer 茶杯碟
Creamer 奶壺
Bowl ( Rice pot , Fan-zong) 飯碗
Coffee cup / Saucer 咖啡杯碟
Tea cup/Saucer茶杯/碟
Milk pot 奶壺
Salad Bowl 沙拉碗
Shaker 篩
Tureen 湯窩
Duck bowl 鴨碗
Rice Bowl 飯碗
Rice bowl Flaring 反口碗
Rice bowl rope 反口碗
Saucer, thick body 厚碟
Bowl with cover 蓋碗
Cylindrical Decor 直身杯碟
Tea Pot, Persimmon Shape No. 2 2號篩壺
Plate with handle/ heat plate, thick帶把手的厚碟
4.5」 Rice Bowl Flaring 4.5`反口碗
Platter 大淺盤
Vase 花瓶
Fish Bowl 魚缸
Fruit Plate 水果盤
Deep Plate深盤
Pepper Jar 胡椒瓶 pepper cellar
Salt Jar 鹽瓶 Salt sellar
Seasoning Dish 格碟
Food Mixing Bowl 斗碗
Table wares Set 餐具
Teacup with saucer 茶杯碟
Christmas Toys 小丑
Goddess of Mercy 觀音
Eight Immortals of ancient Figures 八仙
God of longevity with lad 壽星
God of wealth/Treasure/Longevity 財神
Porcelain figuring 人物
Mask 面具
Oval plate 魚盤
Meat Plate 拼盤
Flat Plate 平盤
Soup Plate 湯盤
Porcelain for daily use 日用陶瓷
Porcelain for artistic 工藝陶瓷
Porcelain for display 陳列陶瓷
the imitation of antique porcelain 仿古陶瓷
labels for porcelain 花紙
Gold-embossed porcelain 刷金
vats 盆
Corrugated cardboard boxes 皺硬紙板箱
Fleur bouquet 花籃
13pec Chinese Tea Pot
6pec Decorated Mug set
Cow mobile 6/s 動態牛
Single unicorn獨角獸（麒麟）
Spoon Rest
Candle holder 燭座
Vase open-work 通花瓶
flower pot 花瓶
Pair of horse, brown 棕色對馬
15pes 「chaozhou」 tea service 15頭 潮州茶具
Sugar pot 糖罐
inner box bubble 氣泡袋
Polly foam polybag 膠袋
Lamp stand 燈台
Foamed Plastic 泡莫塑料
Lampshade 燈罩
Candlestick 燭台
其它 Others
斑點 speck
半透明 translucence, translucency, translucent
不滲透的 nonporous
不透明的 opaque
茶葉罐 caddy
單色的 monochrome
多色的 polychrome
高白 high white, Gao
工藝品 artware
鬼工，鬼爺神工 demon』s work, kuei kung
景德鎮 Jingdexhen, Ching-te-chen
景泰藍 cloisonné
絕緣子 insulator
考古學 archaeology
可塑的 plastic
流變學 rheology
琉璃瓦 glazed tile 模型、模特 model
模子 mould
耐熱 heat-proof
配方 formula
盆栽 bonsai
漆器 lacquer work
器皿 ware
秦始皇陵兵馬俑 life-size terra-cotta soldiers and horses in Chin tomb
青銅器 bronze work
人類學 antropology
滲透的 porous
手印，指印 finger mark
絲網印刷 silk screen printing
四面體 tetrahedral
搪瓷，琺琅 enamel
陶瓷的 ceramic
陶瓷專家，陶瓷藝術家 ceramist
陶工 potter
瓦 tile 碗 bowl
衛生潔具 sanitary ware
溫度 temperature
硬度 hardness
釉工 glazier
圓塊，雕球，瘤 knob
磚 brick
愛比克泰德 Epicteus（活動於520-500 BC）古希臘陶工兼畫家
何朝宗 He Chaozhong（1522-1620） Chinese ceramist in Ming Dynasty,中國明代陶瓷藝術家
韋奇伍德 Wedgwood（1730-1795）英國著名陶瓷工匠和製造商
希臘古瓮頌』Ode on a Crecian Urn』英國詩人濟慈 Keats（1795-1821）的名詩，驚嘆古希臘陶器彩繪之精美
Ⅳ 瓷器是用china，porcelain還是ceramic
瓷器的英語用china、porcelain、ceramic表示都行，其主要區別有：
china
c要小寫（大寫則翻譯為中國），可翻譯為：瓷器；瓷餐具；杯、盤、碟等的總稱；主要是非工業類(比如說日用瓷)。
任何地方生產的瓷器都可以叫china。陶瓷最初的稱呼是「Chinaware」，後來隨著中國瓷器在英國及歐洲大陸的廣泛傳播，省略ware；china成為瓷器的代名詞，使得「中國」與「瓷器」成為密不可分的雙關語。
拓展資料：
瓷器是由瓷石、高嶺土、石英石、莫來石等燒制而成，外表施有玻璃質釉或彩繪的物器。瓷器的成形要通過在窯內經過高溫（約1280℃-1400℃）燒制，瓷器表面的釉色會因為溫度的不同從而發生各種化學變化，是中華文明展示的瑰寶。
Ⅳ 瓷器英語怎麼說
中國的驕傲，小寫的中國china
Ⅵ 急！求青花瓷英文介紹，簡單點就好！！
The emergence of blue and white porcelain is of epoch-making significance in porcelain history.
青花瓷的出現，在陶瓷史上具有劃時代的意義。
Pattern is the major decoration on blue and white porcelain, the motif is noticeable on porcelain.
紋飾是青花瓷器最主要的裝飾，主題紋飾因占據瓷器最重要顯眼的位置更加引人注目。
The original blue and white porcelain the song has weakened, the historical value of the already transcendental unsurpassed.
原始青花瓷於唐宋已見端倪，其歷史價值早已超然絕倫。
Blue and white porcelain enamel transparent water, tire, and the constitution thin white porcelain body apply to blue grain, simple but elegant, pure and fresh and full of life.
青花瓷釉質透明如水，胎體質薄輕盈，潔白的瓷體上敷以藍色紋飾，素雅清爽，充斥活力。
Ⅶ 瓷器的英文名單詞是什麼
小寫的china，因為中國是瓷器的原產地，China大寫就成了中國的名字。
陶器是pottery
Ⅷ 誰知道關於中國瓷器的英語介紹
CHina's china
Second only to tea, perhaps the most important contribution China made to European life was "china" itself ?the hard translucent glazed pottery the Chinese had invented under the Tang dynasty and which we also know as porcelain. China had long since exported porcelain over the Silk Route to Persia and Turkey and fine examples of pre-1500 china are still in everyday use there. (An English diplomat collected almost five tons (!) of Ming pieces while serving in Iran in 1875.) In Europe before the dawn of the China trade, the highest achievement of the potter's art was a kind of earthenware which was fired, then coated with an opaque glaze and fired again, fixing the colors with which it had been painted. This was generally named for its supposed place of origin and was known as majolica in Italy, faience in France, Delft in the Low Countries, and so forth. No earthenware could stand up to boiling water without dissolving and nowhere in Europe was it understood how to heat a kiln to the fourteen hundred degrees or so required to vitrify clay and make it impervious to liquids, boiling or not. Even so wise a man as Sir Francis Bacon could only view porcelain as a kind of plaster which, after a long lapse of time buried in the earth, "congealed and glazed itself into that fine substance." Other writers speculated it was made from lobster shell or eggs pounded into st.
Porcelain in time became the only Chinese import to rival tea in popularity. The wealthy collected it on a grand scale and even middle class people became so carried away that Daniel Defoe could complain of china "on every chimney-piece, to the tops of ceilings, tit it became a grievance." Such abundance half the world away from its place of manufacture was e to its use as ships' ballast. The China trade came to rest on two water-sensitive, high-value commodities: silk and tea. These had to be carried in the middle of the ship to prevent water damage, but to trim the ship and make her sail properly, about half the cargo's weight (not volume) was needed below the waterline in the bilges. Very roughly, a quarter of all tea imported had to be matched by ballast and from the ships' records available, it appears that about a quarter of all ballast was porcelain. Over the course of the 1700s England probably imported twenty-four thousand tons of porcelain while a roughly equal amount would have been imported into Europe and the American colonies.
To keep up with this demand, Jingdezhen, China's main porcelain-making center since the Song dynasty, as early as 1712 needed to keep three thousand kilns fired day and night. The prices fell to ridiculously low levels-seven pounds seven shillings in 1730 for a tea service for 200 people, each piece ornamented with the crest of the ambassador who ordered it; teapots, five thousand of them in 1732, imported at under twopence each. Even if we multiply these prices by one hundred to approximate today's, it is incredibly cheap cost for porcelain of this quality. Before European-made wares came into general use around 1800, the English and European middle classes enjoyed their tea and meals from the finest quality chinaware ever used by any but very wealthy people, a quality of life for which the tea trade was directly responsible.
For years before the advent of tea it had been the dream of all European potters to proce china themselves. Britain's Elers brothers mastered stoneware, but their efforts to reproce china proved unavailing, and so did the efforts of all the other first-rate potters in Europe. The potters of St. Cloud in France developed a substitute now known as soft-paste porcelain, but nobody came near approximating the real thing until an apothecary's apprentice named Johann - Friederich Bottger bumbled onto the scene.
When he was nineteen, Bottger met the mysterious alchemist Lascaris in Berlin and received a present of some two ounces of transmutation powder from him. If you refuse to believe in alchemists and transmutation, you may as well assume that Mr. Lascaris stepped out of a UFO for the stories of his-and Bottger's-careers are entirely too well documented to dismiss. As Lascarls no doubt intended, Bottger's couldn't resist showing off the powder's powers. Unfortunately, he also claimed to have made it himself with the predictable result that he soon had all the crowned heads of Germany in his pursuit. He finally reached safety, so he thought, in Dresden, under the protection of August 11, "the Strong," Elector of Saxony and King of Poland. But with extravagant gifts and riotous living, his stock of powder was exhausted rather sooner than later and his "protector" proved not to be the disinterested well-wisher he had seemed. Poor Bottger found himself confined in the castle of Konigstein where he was given a laboratory for his researches and a clear understanding of the fate reserved for him should he fall.
He finally convinced his jailer, a certain Count Tschirnhaus, that he was not an Adept in the spagyric arts but merely a demonstrator. The count proposed that in that case he should put the laboratory to use in quest of the secret of making china, since next to gold and power, collecting Japanese and Chinese porcelains was Augustus's ruling passion. (He had filled a palace with his collection-some twenty thousand pieces and still growing-by the time of his death.) Fortunately for the prisoner-researcher, Saxony abounds with the two main ingredients for the manufacture of porcelain-china clay or kaolin and the so-called china stone, a type of rock made up mostly of silica and alumina that serves as a flux and gives the ware Its translucency. Bottger first proced stoneware and then, after numerous false starts, finally obtained a hard-paste red porcelain in 1703. The kiln had been kept burning for five days and five nights and in anticipation of success his royal patron had been invited to see it opened. It Is reported that the first proct Bottger took out and presented to Augustus was a fine red teapot. The long-sought secret had been discovered at last and after a few more years Bottger managed to come up with genuine hard-paste white porcelain.
Completely restored to favor, the young man admitted he had never possessed the secret of transmutation; he was formally forgiven and promptly appointed director of Europe's first china factory. It was established near Dresden in a little village called Meissen and proved to be worth almost as much to Augustus as the Philosopher's Stone would have been. Soon after full proction got underway in 1713, the export market for Meissen figurines alone ran into the millions. In a letter of 1746, Horace Walpole grumbled about the new fashion in table decoration at the banquets of the English nobility: "Jellies, biscuits, sugar, plums, and cream have long since given way to harlequins, gondoliers, Turks, Chinese, and shepherdesses of Saxon China." Teapots and teacups were also proced in ever increasing quantities.
Instrial espionage spread the secret of porcelain manufacture beyond the Germanies ring the 1740s, and in 1751 fifteen English entrepreneurs Joined together to found the Worchester Royal Porcelain Works. To the chagrin of every prince and ke in France lavishing patronage on a little porcelain works of his own, the King's beloved Madame De Pompadour decided to bestow hers on a little factory located near Versailles at Sevres. Louis XV bought it to please her in 1759 and, just to make sure it would prosper, ordered the royal chinaware made there. When in need of money the king sometimes forced the courtiers at Versailles to buy quantities of Sevres at extortionate prices.
The English porcelain firms of the eighteenth century kept experimenting with the formulae filched from the Continent and it would be interesting indeed to know how Mr. J. Spode first hit upon the idea of using the ingredient that distinguishes English from all other porcelains-the ashes of burned bones. Yes, Virginia, bone china is rightly so-called. And from the beginning, the mainstay of the proction at Worchester, Chelsea, Spode, Limoges, and all the other centers of china making in Europe was the tea equipage.
Ⅸ 瓷器的英文名單詞是什麼
china 瓷器是由瓷石、高來嶺土、源石英石、莫來石等燒制而成，外表施有玻璃質釉或彩繪的物器。瓷器的成形要通過在窯內經過高溫（約1280℃-1400℃）燒制，瓷器表面的釉色會因為溫度的不同從而發生各種化學變化，是中華文明展示的瑰寶。 中國是瓷器的故鄉，瓷器是古代勞動人民的一個重要的創造。謝肇_在《五雜俎》記載：「今俗語窯器謂之磁器者，蓋磁州窯最多，故相延名之，如銀稱米提，墨稱腴糜之類也。」當時出現的以「磁器」代窯器是由磁州窯產量最多所致。這是迄今發現最早使用瓷器稱謂的史料。
Ⅹ 陶瓷的英語介紹
"陶瓷"是一種通稱,"陶"和"瓷"在質地上、物理性能上有很大區別。中國是最早製造陶器的國家之一,是最早發明瓷器的國家。
陶器的出現大約在距今1萬年左右,中國進入新石器時代,開始了定居生活,盛水、蓄物等日常生活的需要,促使了陶器的發明。中國陶器的分布比較廣泛,主要集中的在黃河流域和長江流域。其中仰韶文化是新石器時期比較有代表性的文化類型,以彩陶為特點,也稱"彩陶文化",它派生出半坡和廟底溝兩個類型,裝飾圖案有很高的藝術價值。馬家窯文化是新石器晚期的文化類型,比仰韶文化略晚,距今約5000年。黑陶是繼彩陶之後的又一偉大創造發明,距今約4000年的龍山文化時期,出現了工藝獨特的蛋殼陶。近些年來,山東、河北一帶多有仿製,有較高的收藏價值。秦漢時期的陶俑,是我國古代人物雕塑的高峰,使制陶技術和藝術達到了很高的境地。此外,唐代的三彩器、明清兩代的紫砂器等,都是中國陶器文物的重要內容,很值得深入收藏和研究。
陶瓷(Ceramics),陶器和瓷器的總稱。陶瓷的傳統概念是指所有以粘土等無機非金屬礦物為原料的人工工業產品。它包括由粘土或含有粘土的混合物經混煉,成形,煅燒而製成的各種製品。由最粗糙的土器到最精細的精陶和瓷器都屬於它的范圍。對於它的主要原料是取之於自然界的硅酸鹽礦物(如粘土、長石、石英等),因此與玻璃、水泥、搪瓷、耐火材料等工業,同屬於"硅酸鹽工業"(Silicate Instry)的范疇。
陶瓷的發展史是中華文明史的一個重要的組成部分,中國作為四大文明古國之一,為人類社會的進步和發展做出了卓越的貢獻,其中陶瓷的發明和發展更具有獨特的意義,中國歷史上各朝各代不同藝術風格和不同技術特點。英文中的"china"既有中國的意思,又有陶瓷的意思,清楚地表明了中國就是"陶瓷的故鄉"。
早在歐洲人掌握瓷器製造技術一千多年前,中國人就已經製造出很精美的陶瓷器。中國是世界上最早應用陶器的國家之一,而中國瓷器因其極高的實用性和藝術性而備受世人的推崇。
所謂陶器和瓷器是指用可塑性制瓷粘土和瓷石礦做胎體,用長石和石英等原料制釉,並且通過成型、乾燥、燒制而成的製品,主要有日用、藝術、和建築陶器等三種。考古發現已經證明中國人早在新石器時代(約公元前8000)就發明了陶器。原始社會晚期出現的農業生產使中國人的祖先過上了比較固定的生活,客觀上對陶器有了需求。人們為了提高生活的方便,提高生活質量,逐漸通過燒制粘土燒制出了陶器。
隨著近代科學技術的發展,近百年來又出現了許多新的陶瓷品種。它們不再使用或很少使用粘土、長石、石英等傳統陶瓷原料,而是使用其他特殊原料,甚至擴大到非硅酸鹽,非氧化物的范圍,並且出現了許多新的工藝。美國和歐洲一些國家的文獻已將"Ceramic"一詞理解為各種無機非金屬固體材料的通稱。因此陶瓷的含義實際上已遠遠超越過去狹窄的傳統觀念了。
迄今為止,陶瓷器的界說似可概括地作如下描述:陶瓷是用鋁硅酸鹽礦物或某些氧化物等為主要原料,依照人的意圖通過特定的物理化學工藝在高溫下以一定的溫度和氣氛製成的具有一定型式的工藝岩石。表面可施釉或不施釉,若干瓷質還具有不同程度的半透明度,通體是由一種或多種晶體或與無定形膠結物及氣孔或與熟料包裹體等微觀結構組成。
陶瓷工業是硅酸鹽工業的主要分支之一,屬於無機化學工業范圍.但現代科學高度綜合,互相滲透,從整個陶瓷工業製造工藝的內容來分析,它的錯綜復雜與牽涉之廣,顯然不是僅用無機化學的理論所能概括的。
陶瓷製品的品種繁多,它們之間的化學成分.礦物組成,物理性質,以及製造方法,常常互相接近交錯,無明顯的界限,而在應用上卻有很大的區別。因此很難硬性地歸納為幾個系統,詳細的分類法各家說法不一,到現在國際上還沒有一個統一的分類方法。
"Ceramic" is a generic term, "Tao" and "Porcelain" in texture, the physical properties there are very different. China was among the first to create one of the countries of pottery, porcelain was one of the first invention.
The emergence of pottery dating back about 1 million years or so, China has entered the New Stone Age, began to settle in life, water, with objects of daily life, such as the need to promote the invention of pottery. Chinese pottery wider distribution, mainly in the Yangtze River and Yellow River Basin. Yangshao culture which is the New Stone Age culture more representative of the type, characterized by painted pottery, also known as the "painted pottery culture", which derived Banpo and Miao Digou two types of decorative patterns, has high artistic value. Majiayao culture is the culture of the late New Stone Age type than a little late Yangshao culture, since about 5000. Black painted pottery is the second after another great invention, since about 4000 the Longshan Culture period, there has been a unique process of eggshell pottery. In recent years, Shandong, Hebei and more in the vicinity of imitation, there is a high value for collection. Qin and Han Dynasty pottery figurine of China's ancient sculpture of the peak figure, so that the ceramic technology and the arts reached a high position. In addition, three of the color of the Tang Dynasty, the Ming and Qing dynasties such as Yixing, China is an important aspect of pottery relics, it is worthy of collection and research.
Ceramics (Ceramics), the general term for pottery and porcelain. Ceramic refers to the traditional concept of all inorganic non-metallic minerals such as clay as raw material of artificial instrial procts. It consists of clay from or containing a mixture of clay by kneading, molding, and calcined made of a variety of procts. By the most rough-earth to the most refined of the fine pottery and porcelain are it. For its main raw materials are derived from natural silicate minerals (such as clay, feldspar, quartz, etc.), and glass, cement, ceramic, refractory material, such as instry, with an "instrial silicate" (Silicate Instry ) Area.
The history of ceramics is the history of Chinese civilization is an important part of China, as one of the four ancient civilizations, human development and social progress made outstanding contributions, including the invention of ceramics and the development of a more unique significance , The history of China-North Korea on behalf of all the different artistic styles and different technical characteristics. English of "china" China not only mean, ceramics and mean, clearly demonstrates China is the "hometown of pottery."
As early as the Europeans have porcelain manufacturing technology over 1000 years ago, Chinese people have created a very fine ceramics. China is the world's first application of one of the countries pottery, and porcelain from China for its high artistic quality and relevance of the world have attracted much praise.
The so-called pottery and porcelain refers to the use of plastic ware and porcelain clay quarry to do matrix, quartz and feldspar, and other raw materials-glaze, and through the forming, drying, firing from the procts, mainly for daily use, art, and architecture Three pottery. Archaeological discoveries have proved that the Chinese people as early as the Neolithic Age (about 8000 BC) invented pottery. The emergence of primitive society with advanced agricultural proction so that the ancestors of the Chinese people lead a life of a relatively fixed, the objective of pottery with the demand. In order to improve people's lives easier, improve the quality of life, graally burn through the burning out of the clay pottery.
With the development of modern science and technology, and the past 100 years there have been many new varieties of ceramics. They no longer use or the use of small clay, feldspar, quartz and other traditional ceramic materials, but the use of other special materials, and even extended to non-silicate, non-oxide scope, and there have been a lot of new technology. The United States and some European countries have literature "Ceramic" understanding of the term for a variety of solid inorganic non-metallic materials known. Therefore, the meaning of ceramics in fact go far beyond the traditional concept in the past the narrow.
To date, the Definition of ceramics may be generally described as follows: The ceramic is aluminum silicate minerals such as oxides or as the main raw material, in accordance with the intention of people through specific physical and chemical processes at a high temperature to a certain degree of Temperature and atmosphere made of a certain type of rock technology. Glazing may be on the surface or glazing, porcelain has a number of different levels of transparency and a half, the species by one or more of the crystal and amorphous or cement and clinker with pores or inclusions, such as micro-structure.
Portland ceramic instry is one of the main branches of instry, belong to the scope of inorganic chemical instry. However, modern science and highly integrated with each other to infiltrate from the ceramic instry as a whole manufacturing process to analyze the contents of its complex and involve wide, is not only Using the theory of inorganic chemistry can be summarized.
A wide variety of ceramic procts, their chemical composition. Mineral composition, physical properties, as well as manufacturing methods, often close to each other staggered, no boundaries, and in the application there is a huge difference. Therefore, it is difficult to be summed up in a few hard and fast system, a detailed classification of the various different view, the international community to now there is no uniform classification.