數控英語的作文怎麼寫

Ⅰ 下午考試用！求一篇關於 學習「工業設計專業英語「感想的英文作文120-150字左右就行！

1.
An analysis of NC machine tools in the exterior design of visual communication the relationship between art and technology, and further elaborated understanding of the laws of the United States, flexible CNC machine tools to master the performance of appearance form, so that they could be more image, vivid, fast proct information to convey mechanical point of view.
Design is an artistic creation activities, its essence is "in accordance with the laws of the United States Weiren creation," which is decided on the design of the study can not be divorced from the aesthetic category. Although the "America" is not the sole property of the design and the ultimate goal, but in terms of design results, the United States has become a factor in considering the merits of the extent of the standard.
My previous machine modeling in the United States in the role of inadequate attention, less emphasis on the export of machinery procts applied to the shapes of the aesthetics go, therefore, the proct although the performance, rugged and so reached the international level, but is still unpopular and a lack of competition capacity. In addition, the mechanical modeling the combination of neglect and ergonomics is obviously incompatible with the needs of foreign markets, thus losing competitiveness. Therefore, the excellent mechanical procts must create a combination of beauty in order to achieve the greatest social and economic benefits.
From the above analysis can be drawn, machine tool operator contact with more parts are the focus of ergonomic design of machine tools. Such components require not only handsome in appearance, simple structure, but also to grasp the "people-oriented" design principle to allow the operator easy to use, comfortable, working efficiency greatly improved.

過分析數控機床外觀造型設計視覺傳達中藝術與技術的關系,進一步闡述了了解美的規律,靈活掌握數控機床外觀造型的表現形式,從而能更形象、生動、快捷地傳達機械產品信息的觀點。
設計是一種藝術的造物活動,其本質是「按照美的規律為人造物」,這就決定了對設計的研究不能脫離審美的范疇。雖然「美」不是設計的惟一屬性和最終目的,但就設計成果而言,美的因素卻成為考慮其優劣程度的標准之一。
我國以前對美在機械造型中的作用重視不夠,出口的機械產品不太重視把美學運用到造型中去,因此,產品雖然在性能、堅固等方面達到國際水平,但仍不受歡迎而缺乏競爭能力。此外,機械造型忽視和人體工程學的結合,明顯與國外市場的需求不相適應,從而失去競爭能力。因此,優良的機械產品必須和美的創造結合,才能達到最大的社會效益和經濟效益。
從以上分析可以得出,機床中與操作者接觸較多的部件是機床人機工程設計的重點。這類部件不僅要求造型美觀、結構簡單,而且要把握「以人為本」的設計原則,讓操作人員使用方便、舒適,工作效率大大提高。

2.

The 1970s began to see some definition of "Post-Modern" architecture，especially in the writings of Charles Jencks, who effectively gave the word "Post-Modernism" currency even if he did not coin it originally. Jencks' s Modern Movements in Architecture of 1973 and The Language of Post-Modern Architecture of 1977 provide excellent surveys of how, in architecture, anti-rationalism emerged from the work of the Modern architects themselves. The history of Post-Modern design in the decorative arts, on the other hand, has yet to be written. It clearly shares with architecture a dislike of, or reaction against, the Modern movement, and yet it too has emerged from that movement, with its considerations of "good form". Any analysis must include reference to the oldest "anti-design" renegade, Ettore Sottsass Jr, whose career has been divided between years of "good form" instrial design for Olivetti and personal anti-design gestures, especially in the 1960s. Sottsass set up his office in Milan in 1946, and throughout the 1950s and 1960s did excellent proct design, especially for Olivetti. However, in 1961 he traveled to India, became interested in Pop culture，and around 1965 began to design ceramics for Poltronova inspired in form by Art Deco ziggurats and in title by Indian mysticism, for example his "Tantra" vase. Sottsass became part of Studio Alchymia, the Milanese "group" formed in 1979 by Alessandro Mendini，who became editor of Domus on the death of Gio Ponti. Alchymia' s work, and especially that of Mendini，contains much "banal design"，such as his "Proust" chair of 1978，decorated in the divisionist style of Seurat, or his second-hand furniture of the same year painted in the style and colors of Kandinsky. Mendini's work is characteristic of an age of eclecticism which permits this type of gesture. It is significant that Branzi，the "anti-designer" of the 1960s，also worked with Alchymia.
It was not long, however, before Sottsass，the elder statesman of Italian design, seceded from Alchymia to form his own group，Memphis，surrounding himself with designers who were almost all under thirty. The group was started in 1981. The reason for the choice of the name Memphis is enigmatic，but it was apparently inspired by Bob Dylan's record "Stuck inside of Mobile with the Memphis Blues Again" (1966)，which was played over and over again at a gathering of the group. Curiously, the song may also have suggested the title of William Tucker's brightly colored sculpture Memphis (1966; now in the Tate Gallery，London). Even as the name of a city，Memphis is ambiguous，referring both to Memphis，Tennessee, and to the ancient Egyptian city of culture. Nothing could be more appropriate as a title for a Post-Modern style than a blend of Pop and ancient culture，for, as we shall see, a revival of classicism is yet another column in the edifice of Post-Modem design.

從七十年代就開始看到關於"後現代主義"建築的定義,尤其在Charles Jencks的作品裡, Charles Jencks充分給出了"後現代主義"貨幣的定義，雖然他沒有原始的金幣. Jencks在1973年的現代活動建築和1977年的後現代建築語言的極好調查中傳達了現代建築師如何使自己在建築和反理性的工作中出現。 歷史上的後現代設計中的裝飾藝術,但在另一方面,卻沒有被寫完. 顯然它共享了一個不受人喜歡的建築結構的,或是反對,現代運動。然而,它也出自這一運動,它被認為是"好形式"。任何分析必須參考古老的"反設計",Ettore Sottsass Jr的學業已經被已經分成為都靈建築"好形式"的工業設計和個人反設計的動作,尤其是在20世紀六十年代。1946年Sottsass將他的辦公室設在了米蘭, 在20世紀50年代和和60年代和中Sottsass設計出了極好的產品，尤其是為都靈設計的。然而,在1961年他在印度旅遊的時候又開始對流行文化敢興趣,而他在1965年左右被Art Deco風格ziggurats激勵後開始為poltronova設計陶瓷並在印度神秘的傳說留下了自己的名字,比如他的" Tantra "花瓶. Sottsass成為Studio Alchymia的一部分,1979年由Alessandro Mendini舉辦的米蘭的"集團"成立,Alessandro MendiniDomus成為逝世Gio Ponti的編輯，尤其是Mendini,它也包含大量的"陳腐設計" ，比如他1978年的"普魯斯特"椅子,其被塞尚的風格所裝飾，他的或二手傢具在同年被風格和色彩的康定斯基所描繪。Mendini的工作特點是一個允許這種風格的時代。值得注意的是20世紀60年代的"反設計者"Branzi。他與Alchymia一起工作。
時間雖然不長,但是,在Sottsass之前,老義大利者設計之後，退出alchymia建立了自己的集團，站在Memphis這邊的設計師不下三十人。該集團自1981年開始舉辦. 為什麼選擇孟菲斯這個名字是個謎,但很明顯的被Bob Dylan'的鼓舞鮑，它記錄了"再次與Mobile的內部Memphis Blues發生沖突" ( 1966 ) ，其在聚會上被上演了一遍又一遍。奇怪的是,它的歌也被作為William Tucker的鮮艷雕塑孟菲斯的主題( 1966年; 現在在泰特畫廊,倫敦) 。即使其名字是一個城市,孟菲斯是模糊的。它同時代表了 Memphis和Tennessee，對於古埃及的文化名城，沒有什麼可以比一代的流行音樂和古老的文化更適合作為後現代風格的名字。因為我們將看到,一個古典主義的復活是另一個的後現代的設計。

Ⅱ 以WHAT will robots do in the future的初二作文

僅供參考，點個採納，嘻嘻：誕生於科幻小說之中一樣，人們對機器人充滿了幻想。也許正是由於機器人定義的模糊，才給了人們充分的想像和創造空間。

操作型機器人：能自動控制，可重復編程，多功能，有幾個自由度，可固定或運動，用於相關自動化系統中。

程式控制型機器人：按預先要求的順序及條件，依次控制機器人的機械動作。

示教再現型機器人：通過引導或其它方式，先教會機器人動作，輸入工作程序，機器人則自動重復進行作業。

數控型機器人：不必使機器人動作，通過數值、語言等對機器人進行示教，機器人根據示教後的信息進行作業。

感覺控制型機器人：利用感測器獲取的信息控制機器人的動作。

適應控制型機器人：機器人能適應環境的變化，控制其自身的行動。

學習控制型機器人：機器人能「體會」工作的經驗，具有一定的學習功能，並將所「學」的經驗用於工作中。

智能機器人：以人工智慧決定其行動的人。 英文：Born in science fiction, people of the robot is full of illusion. Perhaps it is e to the robot, the definition of fuzzy just gave people full of imagination and creation of space. Operation: can automatically control the robot, can repeat programming, multi-function, several degrees, but fixed or movement, used for related automation system. SPC robot in order of requirements, and conditions, which in turn control of the robot mechanical action. Teaching emersion robot: through guide or other ways, first, the church robots working procere, input is automatic robot repeated assignments. CNC robot: don't make robot moves through numerical, language teaching of robot, robot based on the information after teaching assignment. Feel control robot: using sensor getting information control of the robot moves. Adaptive control robot: robot can adapt to the change of environment, control its own action. To learn to control the robot to "experience" work experience, have certain learning function, and the learning experience for work. Intelligent robot with artificial intelligence: the action of the decision.

Ⅲ 求一篇英語作文關於求職的！

I am 24 years old this year, I graated from the Taizhou Vocational College of Science and Technology College of Engineering in electrical and mold NC professional. A few days ago, see China Daily published on technical staff recruitment advertisements, I want to apply for this job. I have three years of technician work experience in CNC machine tool repair, and has accumulated a wealth of experience. I am honored to come to your company, I know I may not be good enough, in the future, I will work hard, beyond the self, not to live up to the company to a piece of my expectations
望採納。。。。。。。。。